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Música criolla, Peruvian Creole music or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
Released as a single, "Demolition" became one of the most popular songs of Peruvian rock at the time, and it remains so still. [4] [failed verification] The song is an anthem of the group and is among the most beloved in all of Peru. [citation needed] The song is based on a very catchy melody, with disorder and a rhythm very typical of punk ...
On the same day, it peaked at number five on TurnTable Top 50 streaming songs chart. [14] On 26 August, "Peru" peaked at number 26 on TurnTable TV Top songs chart. [15] It was named on the Apple Music Top Songs of 2021 in Nigeria. [16] "Peru" is Fireboy's most popular record with over 20.6 million Spotify streams as of December 2021.
Granda's song "La flor de la canela" is considered the unofficial anthem of Lima, the Peruvian capital. At the height of its national and international popularity, the sounds of the 1950s and into the 1970s were introduced into the Vals Peruano by musicians and singers such as Lucha Reyes , Los Morochucos, Los Troveros Criollos , Fiesta Criolla ...
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments.
She discovered, and was inspired by, Conny Mendez a Venezuelan composer who sang to her country and to nature. “At that time, in Peru, people mainly sang to broken hearts” she says. These are songs that never go out of fashion. The miracle of the popular song is that different countries perform it in their own way.”
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The instrumental version by Los Incas was used as the base track. The duo included the song on their 1970 album, Bridge over Troubled Water, and released it as a single in the US, where it reached number 18 on the Billboard Pop Singles chart and number 6 on the Easy Listening chart, [5] in fall 1970, and peaked at number 11 on the Cash Box Top 100.