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Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Jian ware reached the peak of its popularity during the Song dynasty. Vessels of this time were also greatly appreciated and copied in Japan, where they are known as tenmoku (天目) wares. The Japanese term derives from Tianmu Mountain (天目山), where this type of vessel was supposed to originate from and be appreciated. [6]
Still Life: Tea Set, c. 1781–1783, painting by Jean-Étienne Liotard. Tea caddy is in the back on the left, slop basin − on the right behind the sugar bowl. A Japanese slop basin; slop basins are a common item in tea sets which are used for tea which is no longer fresh and hot enough to drink An English hot water jug and creamer; both items are commonly included in tea sets; the hot water ...
"Fujisan" white Raku ware tea bowl by Hon'ami Kōetsu, Edo period (National Treasure) Tea-leaf jar with a design of wisteria by Nonomura Ninsei, Edo period (National Treasure) Pottery and porcelain ( 陶磁器 , tōjiki , also yakimono ( 焼きもの ) , or tōgei ( 陶芸 ) ) is one of the oldest Japanese crafts and art forms , dating back to ...
Kintsugi (Japanese: 金継ぎ, lit. 'golden joinery'), also known as kintsukuroi ( 金繕い , "golden repair") , [ 1 ] is the Japanese art of repairing broken pottery by mending the areas of breakage with urushi lacquer dusted or mixed with powdered gold , silver , or platinum .
Kutani ware (九谷焼, Kutani-yaki) is a style of Japanese porcelain traditionally supposed to be from Kutani, now a part of Kaga, Ishikawa, in the former Kaga Province. [1] It is divided into two phases: Ko-Kutani (old Kutani), from the 17th and early 18th centuries, and Saikō-Kutani from the revived production in the 19th century.
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