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My guitar (a Martin D15 mahogany) has a booming sound when i play a B or C note on the A string. That is, these notes are louder than other notes in a chord. Looking it up on the chart i see that the frequencies of those notes are 123 - 130 Hz (vibrations/second).
Note: You can't make the annoying sound elements go away; the best you can hope for is to make them as minimally annoying as possible. Follow that with the Multi-band compressor (play a LOT with the htz settings of the bands and the boost / cut levels for each band) to make up for the odd EQ'ing that you are going to have to do.
It is called "extract groove". The resulting MIDI sure won't sound like a guitar until you spend alot of time editing the MIDI. The limitation of extract groove is that it does not pick up note values, but rather assigns the same user selectable MIDI note value to each guitar note recorded. So, all you really gonna get is the syncopation and ...
Actually, low E on a guitar is 80Hz (82.407Hz specifically). The bass guitar is half that - 40Hz. Most octave devices don't work well on the low E of a bass guitar. I find mine won't start working till about a low G, but only properly working at about a low A. It's an EBS OctaBass. My biggest question is WHY do you want to tweak the low E?
Guitar feedback will generally be a harmonic of one of the available sounding notes from one of the strings - if the strings are open, then it will be a harmonic of one of those; but you can "force" the guitar and amp to "choose" a note from a chord that you play if you finger the chord on the fingerboard while inducing feedback. ~~~~~
(Side note: generally, it's also good to run a high-pass filter on your other drum tracks too, because literally every sound, even a high-hat or splash cymbal, can actually contribute sub-bass frequencies to a mix. That sounds illogical and weird, but it's true!) With compression, it depends on your application.
Probably the best direct conversion of analogue guitar signal to bass sound I've found is the COSM effect(s) to be found in the Boss Micro BR-80. I was so impressed that I went looking for any other examples of this and found it in the Roland (AKA Boss) GP-10.
Meaning, can I have a separate track for vocals and guitar, and possibly other instruments. The reason I am thinking of doing this is because I play guitar with my records and I was wondering if I could cut out the guitar part from the record and input my guitar playing for practice and for fun. Thanks.
Now, if you want to monitor an effect in sonar while recording, then you need input echo enabled for that track. I always defibe my sound before it goes into sonar, as this makes less work in the mixing and mastering stage and when it comes to bass guitars and electric guitars, VST like Guitar rig or the other ones, just dont cut it for me. Cj
A lot of guitar lead tones have a BUNCH of noise, and one theoretical way to get rid of that is to record a track of nothing but the noise, and then invert the signal, and it will cancel out the noise frequencies (many of them anyways) from the actual guitar track with the noisy lead tone on it. Bob Bone