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abaco - abacus; abat-jour - bedside lamp; abate - abbot; abbacchiato - depressed/down; abbacinare - to dazzle; abbacinato - dazzled; abbagliante - dazzling
Gesticulation in Italian. Hand gestures are used in regions of Italy and in the Italian language as a form of nonverbal communication and expression. The gestures within the Italian lexicon are dominated by movements of the hands and fingers, but may also include movements of facial features such as eyebrows, the mouth and the cheeks. [1]
Lingua franca (Italian lingua Franca, 'Frankish language', its usage to mean a common tongue originated from its meaning in Arabic and Greek during the Middle Ages, whereby all Western Europeans were called 'Franks' or Faranji in Arabic and Phrankoi in Greek) [4] [5] Motto (Italian motto 'word') [6] Novel (Italian novella 'tale') Ottava rima
The Vocabolario degli Accademici della Crusca was the first dictionary of the Italian language, published in 1612 by the Accademia della Crusca. It was also only the second dictionary of a modern European language, being just one year later than the Tesoro de la lengua castellana o española by Sebastián de Covarrubias in Spain in 1611.
Syntactic gemination. Tuscan gorgia. v. t. e. Italian grammar is the body of rules describing the properties of the Italian language. Italian words can be divided into the following lexical categories: articles, nouns, adjectives, pronouns, verbs, adverbs, prepositions, conjunctions, and interjections.
There are many words for which dictionaries now indicate that both pronunciations, either [z] or [s], are acceptable. Word-internally between vowels, the two phonemes have merged in many regional varieties of Italian, as either /z/ (northern-central) or /s/ (southern-central). : ^a in most accents /z/ and /s/ do not contrast.
Open. a. In Italian phonemic distinction between long and short vowels is rare and limited to a few words and one morphological class, namely the pair composed by the first and third person of the historic past in verbs of the third conjugation—compare sentii (/senˈtiː/, "I felt/heard'), and sentì (/senˈti/, "he felt/heard"). Normally ...
Italian verbs have a high degree of inflection, the majority of which follows one of three common patterns of conjugation. Italian conjugation is affected by mood, person, tense, number, aspect and occasionally gender. The three classes of verbs (patterns of conjugation) are distinguished by the endings of the infinitive form of the verb:
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