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A frame story (also known as a frame tale, frame narrative, sandwich narrative, or intercalation) is a literary technique that serves as a companion piece to a story within a story, where an introductory or main narrative sets the stage either for a more emphasized second narrative or for a set of shorter stories. The frame story leads readers ...
The second-person narrative passages develop into a fairly cohesive novel that puts its two protagonists on the track of an international book-fraud conspiracy, a mischievous translator, a reclusive novelist haunted by advertisers who wish to embed products in his stories and programmers who demand to let a computer generate the conclusion to ...
A story within a story, also referred to as an embedded narrative, is a literary device in which a character within a story becomes the narrator of a second story (within the first one). [1] Multiple layers of stories within stories are sometimes called nested stories. A play may have a brief play within it, such as in Shakespeare's play Hamlet ...
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of ...
The reader, referred to in the second person, is depicted as interacting with another character, with the intent to encourage the reader's immersion and psychological projection of himself into the story, imaging that he, himself, is performing the written story. [5] While examples in published fiction of second-person self-insertion are rare ...
The short story is a crafted form in its own right. Short stories make use of plot, resonance and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novelor novella/short novel, authors generally draw from a common pool of literary techniques.
The Canterbury Tales at Wikisource. The Canterbury Tales (Middle English: Tales of Caunterbury) [2] is a collection of twenty-four stories that runs to over 17,000 lines written in Middle English by Geoffrey Chaucer between 1387 and 1400. [3] It is widely regarded as Chaucer's magnum opus.