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Mount Olympus has 52 peaks and deep gorges. [7] The highest peak, Mytikas (Μύτικας Mýtikas), meaning "nose", rises to 2,917.727 metres (9,572.60 ft) and is the highest peak in Greece, [1] [8] [9] and one of the highest peaks in Europe in terms of topographic prominence. [10] In Greek mythology, Olympus is the home of the Greek gods, on ...
In ancient Greek religion and mythology, the twelve Olympians are the major deities of the Greek pantheon, commonly considered to be Zeus, Poseidon, Hera, Demeter, Aphrodite, Athena, Artemis, Apollo, Ares, Hephaestus, Hermes, and either Hestia or Dionysus. [2] They were called Olympians because, according to tradition, they resided on Mount ...
Gods and goddesses, both major and minor, living on Mount Olympus. Subcategories. This category has the following 12 subcategories, out of 12 total. +
King of the gods, ruler of Mount Olympus, and god of the sky, weather, thunder, lightning, law, order, and justice. He is the youngest son of Cronus and Rhea. He overthrew Cronus and gained the sovereignty of heaven for himself. In art he is depicted as a regal, mature man with a sturdy figure and dark beard.
In Greek mythology, Olympus (Ancient Greek: Ὄλυμπος means 'sky') was the Thespian son of Heracles and Euboea, [1] daughter of King Thespius of Thespiae. [2]
Zeus (/ zj uː s /, Ancient Greek: Ζεύς) [a] is the sky and thunder god in ancient Greek religion and mythology, who rules as king of the gods on Mount Olympus.. Zeus is the child of Cronus and Rhea, the youngest of his siblings to be born, though sometimes reckoned the eldest as the others required disgorging from Cronus's stomach.
The Statue of Zeus at Olympia was a giant seated figure, about 12.4 m (41 ft) tall, [1] made by the Greek sculptor Phidias around 435 BC at the sanctuary of Olympia, Greece, and erected in the Temple of Zeus there. Zeus is the sky and thunder god in ancient Greek religion, who rules as king of the gods on Mount Olympus. [citation needed]
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.