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The three-hand effect (or three-hand technique) is a means of playing on the piano with only two hands, but producing the impression that one is using three hands. Typically this effect is produced by keeping the melody in the middle register, with accompanying arpeggios in the treble and bass registers.
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Piano four hands (French: À quatre mains, German: Zu vier Händen, Vierhändig, Italian: a quattro mani) is a type of piano duet involving two players playing the same piano simultaneously. [1] A duet with the players playing separate instruments is generally referred to as a piano duo .
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The locked hands technique requires the pianist to play the melody using both hands in unison. The right hand plays a 4-note chord inversion in which the melody note is the highest note in the voicing. The other 3 notes of the chord are voiced as closely as possible below the melody note, which is the definition of a block chord. [1]
Pieces for piano four hands (1931) A Little Walk for piano four hands (1951) A Tale in Four Parts for piano 4-hands (1988) Carl Vine (1954) Sonata for piano four hands (2009) [3] Bruno Vlahek (1986) Sonata, Op. 21 (2008) Variations on a Croatian folk theme, Op. 38 (2013) Peter Warlock; Capriol Suite (1926) Charles Wuorinen (1938–2020) Making ...
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