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John the Baptist (John in the Wilderness), by Caravaggio, 1604, in the Nelson-Atkins Museum of Art, Kansas City. Tenebrism, from Italian tenebroso ('dark, gloomy, mysterious'), also occasionally called dramatic illumination, is a style of painting using especially pronounced chiaroscuro, where there are violent contrasts of light and dark, and where darkness becomes a dominating feature of the ...
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
The following is a list of paintings by Rembrandt that are accepted as autograph by the Rembrandt Research Project. For other catalogues raisonnés of Rembrandt, see the "Rembrandt" navigation box below.
The majority of the retrieved works was bought by C. Mouwen, who loaned some fifty paintings for an exhibition with art dealer Oldenzeel in Rotterdam in January 1903 and sold 25 paintings at an auction on 3 May 1904, and an unknown number went to his cousin W. van Bakel, lecturer at the Royal Military Academy in Breda. Because the names of the ...
Burgoyne A. Diller (January 13, 1906 – January 30, 1965) was an American abstract painter. Many of his best-known works are characterized by orthogonal geometric forms that reflect his strong interest in the De Stijl movement and the work of Piet Mondrian in particular.
Vincent van Gogh's painting, "Self Portrait with a Straw Hat," is displayed at "Vincent van Gogh: The Drawings" during a press preview at the Metropolitan Museum of Art in New York City in 2005.
The painting catches a moment in the café from a patron's perspective, with a view of pedestrians walking on the street. Absinthe was popular to Van Gogh and other artists both as a drink, although toxic and in some cases deadly, and because of its unique color, it was also favored as a subject for paintings. [57]
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