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Femme au miroir, signed "JMetzinger" and dated Avril 1916 on the reverse, is an oil painting on canvas with dimensions 92.4 x 65.1 cm (51 1/16 x 38 1/16 in.).The vertical composition is painted in a geometrically Cubist style, representing a woman holding a mirror in her left hand, standing in front of a chair and dressing table upon which rests a perfume atomizer.
Victorian design is widely viewed as having indulged in a grand excess of ornament. The Victorian era is known for its interpretation and eclectic revival of historic styles mixed with the introduction of Asian and Middle Eastern influences in furniture, fittings, and interior decoration.
Elizabethan mirror. Mirrors, which were very rare in Elizabeth's time, became more common in that of the Charleses, the Duke of Buckingham, during the reign of the second Charles, bringing a colony of Venetian glassmakers to Lambeth. One Elizabethan mirror is some three and a half by four and a half feet in size — five feet was the largest ...
At the Dressing-Table was executed by Serebriakova in 1909 while she was living near Neskuchnoye, Kursk Governorate [2] (now is a part of Kharkiv Oblast of Ukraine). According to Serebriakova, the winter came early in that year, there was a lot of snow, but it was warm in the house, so "she started to paint herself in the mirror, entertaining ...
The large mirrors were framed by a wooden frame, which was then replaced by a metal frame. The large mirrors are framed in copper and the print drawers have knobs representing an Austrian eagle. The library was created by Nicolas-Léger Moutard, the Queen's printer and bookseller between 1774 and 1797. [55]
When new, Elegant glass would cost more than standard Depression glass, because it was at least partially handmade, had a cleaner finish, and more vibrant colors. From the 1920s through the 1950s, Elegant glass was an alternative to fine china. Most of the Elegant glassware manufacturers closed by the end of the 1950s, and cheap glassware and ...
Ever after his discovery of Celia's nauseating dressing room he can never look at women the same way again. In every woman he sees through the powdered wigs and painted faces to the grime beneath. Swift ends the poem by suggesting that if young men only ignore the stench and accept the painted illusion, they can enjoy the "charms of womanhood".
The New York Mirror newsroom where Andy gets hired at the end of the film is that of the now-defunct New York Sun. [43] The café where Andy apologizes to Nate was the Mayrose at 920 Broadway (near the Flatiron Building), which has since closed. On its site is a Flying Tiger Copenhagen store.
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