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Two women wearing the robe à la polonaise, literally meaning the Polish dress Jean-Michel Moreau, Le Rendez-vous pour Marly, engraved by Carl Guttenberg c. 1777.. The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, [1 ...
Fashions from La Mode Illustrée show dresses made of contrasting fabrics worn with "shelf" bustles and opera-length gloves, 1887. Princess Alix of Hesse wears a high-necked day dress, 1887. Fashions of 1888 feature full busts, large "shelf" bustles, and wide shoulders. Gloves reach the elbow or slightly above.
At the beginning of the century, the sack-back gown was a very informal style of dress. At its most informal, it was unfitted both front and back and called a sacque, contouche, or robe battante. By the 1770s the sack-back gown was second only to court dress in its formality.
National costumes of Poland (Polish: stroje ludowe) vary by region.They are typically not worn in daily life but at folk festivals, folk weddings, religious holidays, harvest festivals and other special occasions. [1]
Polish customs and fashion became popular in the Versailles such as the Polonaise dress (robe à la polonaise), which was adored by Marie Antoinette. Polish cuisine also became known in French as à la polonaise. Both Napoleon I and Napoleon III expressed strong pro-Polish sentiment after Poland had ceased to exist as a sovereign country in 1795.
Charles Frederick Worth's dresses were known for their lavish fabrics and trimmings and for incorporating elements from period dress. He created unique pieces for his most important customers, but also prepared a variety of designs, showcased by live models, that could then be tailored to the client's requirements in his workshop. [ 6 ]
As the bodices grew longer in 1873, the polonaise was thus introduced into the Victorian dress styles. A polonaise is a garment featuring both an overskirt and bodice together. The tournure was also introduced, and along with the polonaise, it created an illusion of an exaggerated rear end.
The three gathered back sections of the skirt and fitted bodice of the 1770s incarnation of the mantua, known as the polonaise gown or Robe à la Polonaise, were distinct to this style, with the puffed skirt achieved through cording or ribbons. [9] The Robe à l'Anglaise or English gown was also a popular style in Europe. The English-style gown ...