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Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden's 'Stop All the Clocks' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation. In the days ...
Dean Koontz uses lines from the poem as a password in his 2017 book The Silent Corner. David Hockney created a suite of twenty etchings entitled The Blue Guitar (1976–1977). The frontispiece mentions Hockney's dual inspiration as "The Blue Guitar, Etchings by David Hockney who was inspired by Wallace Stevens who was inspired by Pablo Picasso".
David Hockney: The Blue Guitar exhibition at the Museum of Modern Art, April 10 – July 10, 1979. The Museum of Modern Art holds a solo exhibition dedicated to the suite in the Sachs Galleries, titled David Hockney: The Blue Guitar. Alongside the twenty prints, two cancelled copper plates and five black and white cancellation proofs are also ...
The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.
After singing the poem to guitarist John Frusciante and drummer Chad Smith, they "got up and walked over to their instruments and started finding the beat and guitar chords to match it". [6] Frusciante chose the chords to balance the dark lyrics, saying "I thought if the lyrics are really sad like that I should write some chords that are happier".
"The Lost Chord" is a song composed by Arthur Sullivan in 1877 at the bedside of his brother Fred during Fred's last illness. The manuscript is dated 13 January 1877; Fred Sullivan died five days later. The lyric was written as a poem by Adelaide Anne Procter called "A Lost Chord", published in 1860 in The English Woman's Journal. [1]
The album concludes with "Om", featuring a spoken-word introduction by Edge titled "The Word". The poem features the line "Between the eyes and ears there lie the sounds of color and the light of a sigh". Edge explained, "You can listen to your favorite piece of music fifty times and still get something from it.
The recording features guitar solos played by Harrison and American musician Jesse Ed Davis. The song serves as a rare guitar-oriented selection on the keyboard-heavy Extra Texture album, although David Foster, Gary Wright and Harrison all contributed keyboard parts to the track. "This Guitar" has traditionally received a mixed reception from ...