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35 mm equivalent focal lengths are calculated by multiplying the actual focal length of the lens by the crop factor of the sensor. Typical crop factors are 1.26× – 1.29× for Canon (1.35× for Sigma "H") APS-H format, 1.5× for Nikon APS-C ("DX") format (also used by Sony, Pentax, Fuji, Samsung and others), 1.6× for Canon APS-C format, 2× for Micro Four Thirds format, 2.7× for 1-inch ...
The sizes of sensors used in most current digital cameras, relative to a 35 mm format. A full-frame DSLR is a digital single-lens reflex camera (DSLR) with a 35 mm image sensor format (36 mm × 24 mm). [1] [2] Historically, 35 mm was one of the standard film formats, alongside larger ones, such as medium format and large format.
Although the term “digicam” originated as a syllabic abbreviation for “digital camera”, it is now used primarily to refer to an old compact digital camera or, in other words, a discontinued point-and-shoot camera with a fixed lens. [32] [33] [34] Digicams emphasize portability and ease of use, and they often include a built-in flash. [35]
A Stereo Realist camera. The Stereo Realist is a stereo camera that was manufactured by the David White Company from 1947 to 1971. It was the most popular 35 mm stereo camera ever manufactured [1] and started the era of popular stereo photography of the mid 20th century.
Aaton Penelope is a 35mm motion picture camera introduced by Aaton in October 2008. It is the first camera in the world designed as a switchable Techniscope or 3-perf shooting solution (2 perf-native and 3 perf user-switchable), and it is also the first 35mm camera to offer a progressive scan video-tap. [1]
In cinematography, full frame refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a 35mm still camera. [1] Still cameras run the film horizontally behind the lens, whereas standard 35mm motion-picture cameras run the film vertically. Thus a 35mm still camera's image is significantly larger ...
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