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The majority of 35 mm film systems, cameras, telecine equipment, optical printers, or projectors, are configured to accommodate the 4-perf system; each frame of 35 mm is 4 perforations long. 4-perf was (and remains) the traditional system, and the majority of projectors are based on 4-perf, because 4 perforations is the amount needed per frame vertically in order to have enough negative space ...
SFX 200T Color Negative Film (35 mm only) introduced in 1998. Special-order film intended for special effects. [33] (discontinued in 2004) 5230/7230 500T Color Negative Film introduced in 2011 (discontinued in 2012) Ektagraphic High Contrast Slide (HCS) orthochromatic negative film for making reverse-text title slides etc.
BH (Bell and Howell) perforations are used on camera negative film and have straight tops and bottoms with outward curving sides; they have been in use since the beginning of the 20th century. The BH perforation is a circle of approximately diameter 0.110" (2.79 mm), with flattened sides giving a height of approximately 0.073" (1.85 mm).
Kodacolor II – 35mm-film for colour prints. In still photography, Kodak's Kodacolor brand has been associated with various color negative films (i.e., films that produce negatives for making color prints on paper) since 1942. Kodak claims that Kodacolor was "the world's first true color negative film". [1]
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
Techniscope employs standard 35 mm camera films, which are suitable for 2-perf (Techniscope), 3-perf, conventional 4-perf (spherical or CinemaScope), and even 6-perf and 8-perf (VistaVision), as all of those processes listed employ the same negative and intermediate films, and positive print films intended for direct projection (although 2-, 3- and 8-perfs are not distribution formats).
Typically, a 150 dots-per-inch screen is used to create each printing negative, though this will varying depending on the application, where a magazine may use 200 line screens and a newspaper may use 120 to 133 line screen. The screen is rotated at successively varied angles to ensure that the dots do not print exactly on top of one another.
Transparent positive prints can be made by printing a negative onto special positive film, as is done to make traditional motion picture film prints for use in theaters. Some films used in cameras are designed to be developed by reversal processing, which produces the final positive, instead of a negative, on the original film. [5]