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Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France , Spain and Scandinavia . [ 1 ]
The Sistine Chapel ceiling, painted by Michelangelo between 1508 and 1512, is one of the most renowned artworks of the High Renaissance. Central to the ceiling decoration are nine scenes from the Book of Genesis of which The Creation of Adam is the best known, the hands of God and Adam being reproduced in countless imitations. The complex ...
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
A painted ceiling is a ceiling covered with an artistic mural or painting. They are usually decorated with fresco painting, mosaic tiles and other surface treatments. While hard to execute (at least in situ) a decorated ceiling has the advantage that it is largely protected from damage by fingers and dust.
The ceiling was painted at the commission of Pope Julius II. The ceiling's various painted elements form part of a larger scheme of decoration within the chapel. Prior to Michelangelo's contribution, the walls were painted by several leading artists of the late 15th century including Sandro Botticelli, Domenico Ghirlandaio, and Pietro Perugino.
A Meadow in the Mountains: Le Mas de Saint-Paul was painted by Vincent van Gogh in December 1889. [1] It depicts fields of young wheat with a background of lilac mountains and yellowish sky. In May 1889 Van Gogh voluntarily entered the asylum of St. Paul near Saint-Rémy in Provence.
Ziemia is a public-art project created in collaboration with residents of Greenpoint, Brooklyn, NY that was completed and installed in June 2018. In the form of a ceramic sphere atop a native meadow in McGolrick Park, the piece bridges divides between the neighborhood's disparate subcultures by serving as a collective portrait of the community through embodying residents' personal homelands ...
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