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Tujuh rupa batik craftsmen have placed Chinese ceramic ornaments as a manifestation of ancestral cultural ties which in their paintings have eloquence and tenderness. Various ornamental plants are the main objects, and are widely found in Chinese ceramic paintings, combined with various animals such as sparrows, peacocks, dragons, and butterflies.
The Museum of Fine Arts and Ceramics (Indonesian: Museum Seni Rupa dan Keramik) is a museum in Jakarta, Indonesia. The museum is dedicated especially to the display of traditional fine art and ceramics of Indonesia. The museum is located in the east side of Fatahillah Square, near Jakarta History Museum and Wayang Museum.
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
The English word batik is borrowed from Javanese bathik (Javanese script: ꦧꦛꦶꦏ꧀, Pegon: باتيق). [a] [1] [2] English dictionaries tend to define batik as a general dyeing technique, [3] [4] meaning that cloths with similar methods of production but culturally unrelated to Javanese batik may be labelled as batik in English.
The duduk (/ d uː ˈ d uː k / doo-DOOK; Armenian: դուդուկ IPA:) [1] or tsiranapogh (Armenian: ծիրանափող, meaning "apricot-made wind instrument"), is a double reed woodwind instrument made of apricot wood originating from Armenia.
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The word 'tarawangsa' comes from the Sundanese language. Tarawangsa comes from three combinations of words, namely 'Ta - Ra - Wangsa'.'Ta' is an acronym for the word 'Meta' which means 'movement', then 'Ra' means 'great fire' or 'the sun', and 'Wangsa' is a synonym for the word 'nation'.
Priyanto Sunarto, Seniman, 1976, reconstructed 2015, Line drawing on wall, Collection of National Gallery Singapore The Indonesian New Art Movement, also known as Gerakan Seni Rupa Baru (GSRB) was an art movement of young artists from Bandung and Yogyakarta against the institutional concept of Indonesian fine art (Indonesian: Seni Rupa) being limited to paintings and sculptures.