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Parade de cirque (English: Circus Sideshow) is an 1887-88 Neo-Impressionist painting by Georges Seurat.It was first exhibited at the 1888 Salon de la Société des Artistes Indépendants (titled Parade de cirque, cat. no. 614) in Paris, where it became one of Seurat's least admired works.
Georges Seurat first studied art at the École Municipale de Sculpture et Dessin, near his family's home in the boulevard Magenta, which was run by the sculptor Justin Lequien. [ 12 ] [ 13 ] In 1878, he moved on to the École des Beaux-Arts where he was taught by Henri Lehmann , and followed a conventional academic training, drawing from casts ...
The Seine seen from La Grande Jatte [111] National Gallery, London 176 15.7 × 25 More images: 1888 La Seine à la Grande-Jatte [112] Royal Museums of Fine Arts, Brussels 177 65 × 82 More images: 1887 Study for "The Circus Parade" [113] Stiftung Sammlung E. G. Bührle, Zürich 187 16.5 × 26 More images: 1887 to 1888 The Circus Parade [114]
Parade is shown here divided horizontally into fourths and vertically into sixths. The 4 : 6 ratio corresponds to the dimensions of the canvas, which is one and one-half times wider than its vertical dimension. The axes painted by Seurat do not correspond precisely to the golden section, 1 : 1.6, as might have been expected (yellow lines, so1 ...
Models, also known as The Three Models and Les Poseuses, is a work by Georges Seurat, painted between 1886 and 1888 and held by the Barnes Foundation in Philadelphia. Models was exhibited at the fourth Salon des Indépendants in spring of 1888.
The painting was Seurat's third major work treating the theme of the circus, after his Parade (Circus sideshow) of 1887–88 and Le Chahut of 1889–90. It depicts a female performer standing on a horse at the Circus Fernando (renamed the Circus Médrano in 1890, after its most famous clown).
Georges Seurat, Study for "A Sunday Afternoon on La Grande Jatte", 1884, oil on canvas, 70.5 x 104.1 cm, Metropolitan Museum of Art, New York Georges Seurat painted A Sunday Afternoon between May 1884 and March 1885, and from October 1885 to May 1886, focusing meticulously on the landscape of the park [2] and concentrating on issues of colour, light, and form.
Detail from Seurat's Parade de cirque, 1889, showing the contrasting dots of paint which define Pointillism. Pointillism (/ ˈ p w æ̃ t ɪ l ɪ z əm /, also US: / ˈ p w ɑː n-ˌ ˈ p ɔɪ n-/) [1] is a technique of painting in which small, distinct dots of color are applied in patterns to form an image.