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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama. The term describes the rhythm, or meter , established by the words in each line.
The mid-16th-century poet Jan van der Noot pioneered syllabic Dutch alexandrines on the French model, but within a few decades Dutch alexandrines had been transformed into strict iambic hexameters with a caesura after the third foot. [25] From the Low Countries the accentual-syllabic alexandrine spread to other continental literatures. [26]
Dactylic pentameter; Dactylic hexameter. Golden line; Iambic meter: any meter based on the iamb as its primary rhythmic unit. Alexandrine (iambic hexameter): a 12-syllable iambic line adapted from French heroic verse. Example: the last line of each stanza in “The Convergence of the Twain” by Thomas Hardy. [1] Czech alexandrine; French ...
In 1990 Dutch composer Jurriaan Andriessen set the poem to a mixed chamber choir setting. Rufus Wainwright's "Sonnet 43", the sixth track on his album All Days Are Nights: Songs for Lulu (2010), is a musical setting of the sonnet. In 2004 Flemish composer Ludo Claesen set this poem to a setting for chamber music (flute, piano and soprano-solo).
In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the chansons de geste ) were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the ...
The heroic couplet is a pair of iambic pentameter lines that rime together. Frequently, the term is associated with the balanced, closed couplets that dominated English verse from roughly 1640 to 1790, [22] [23] although the form dates back to Chaucer, and remains in use often in a looser form.
In poetry, a hendecasyllable (as an adjective, hendecasyllabic) is a line of eleven syllables.The term may refer to several different poetic meters, the older of which are quantitative and used chiefly in classical (Ancient Greek and Latin) poetry, and the newer of which are syllabic or accentual-syllabic and used in medieval and modern poetry.
In Slovenia the sonnet became a national verse form, using iambic pentameter with feminine rhymes, based both on the Italian endecasillabo and German iambic pentameter. [159] The greatest Slovenian poet, France Prešeren , [ 160 ] wrote several sonnet sequences from 1831 onwards and is particularly known for his crown of sonnets , Sonetni venec ...