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The Piazzetta di San Marco is, strictly speaking, not part of the Piazza but an adjoining open space connecting the south side of the Piazza to the waterway of the lagoon. The Piazzetta lies between the Doge's Palace on the east and Jacopo Sansovino 's Biblioteca (Library) which holds the Biblioteca Marciana on the west.
The Patriarchal Cathedral Basilica of Saint Mark (Italian: Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica (Italian: Basilica di San Marco; Venetian: Baxéłega de San Marco), is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello.
The Column of San Teodoro is topped by a statue of Theodore Tiron, who was the patron saint of Venice before he was succeeded by Saint Mark. Both columns were likely erected either between 1172 and 1177 (during the reign of Doge Sebastiano Ziani ) by Nicolò Barattieri , [ 1 ] [ 2 ] or sometime around 1268.
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St Mark's Campanile (Italian: Campanile di San Marco, Venetian: Canpanièl de San Marco) is the bell tower of St Mark's Basilica in Venice, Italy.The current campanile is a reconstruction completed in 1912, the previous tower having collapsed in 1902.
He portrays Torcello and Malamocco carrying Mark's body as they arrived back in Venice. The Piazza San Marco, or St. Mark's Square is displayed in the painting with onlookers fleeing in the background. The public square appears narrow to convey the tenseness of the abduction of Saint Mark's body.
The Clock Tower in Venice is an early Renaissance building on the north side of the Piazza San Marco, at the entrance to the Merceria. It comprises a tower, which contains the clock, and lower buildings on each side. It adjoins the eastern end of the Procuratie Vecchie. Both the tower and the clock date from the last decade of the 15th century ...
The Lion in the 1870s. The Lion seen from ground level in 2017. The Lion seen from the Doge's Palace.. The Lion of Venice is an ancient bronze sculpture of a winged lion in the Piazza San Marco of Venice, Italy, which came to symbolize the city—as well as one of its patron saints, St Mark—after its arrival there in the 12th century.