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"Test for Echo" is the title track and first single from Canadian rock band Rush's 16th studio album released in 1996. The song's lyrics were written by Neil Peart and Pye Dubois with music written by Geddy Lee and Alex Lifeson. The song reached No. 1 on the Billboard Hot Mainstream Rock Tracks chart.
The Studio Albums 1989–2007 is a box set by the Canadian rock band Rush. It contains the band's seven studio albums released from 1989 to 2007 and was released on 7 CDs on September 30, 2013. It contains the band's seven studio albums released from 1989 to 2007 and was released on 7 CDs on September 30, 2013.
Rush wanted to continue to work with Hine due to his accomplished songwriting, the feedback he gave their songs and his ability to allow the group to achieve a looser sound than previous albums. [20] [17] Lee said that various production tricks they had learned from working with Peter Collins in the 1980s were used on Presto and Roll the Bones ...
Permanent Waves is the seventh studio album by Canadian rock band Rush, released on January 14, 1980 through Anthem Records.After touring to support their previous album, Hemispheres (1978), the band began working on new material for a follow-up in July 1979.
Test for Echo was the first time Rush worked with American engineers and mixers, having only worked with English or Australian personnel before. [10] They chose the recording engineer Clif Norrell, a longtime fan of the band who once performed Rush cover songs in his own group. [9]
Feedback is an EP by Canadian rock band Rush, released in 2004.The record features eight covers of songs that were influential for the band members during the 1960s. The outing marked the 30th anniversary of both the release of Rush's debut album, which featured the original lineup of Geddy Lee, Alex Lifeson and John Rutsey, and of Neil Peart's joining the band in the wake of Rutsey's departure.
Different Stages is a live album by Canadian rock band Rush, released in 1998.The bulk of the first and second discs were recorded at the World Music Theatre in Tinley Park, Illinois, during the 1997 Test for Echo tour.
Lifeson says the guitar solo in the song is a "really hard solo to play", describing it as "frenetic and exciting" and "one of the most ambitious pieces of music Rush has ever done". [15] In his book Rush, Rock Music and the Middle Class: Dreaming in Middletown, Chris McDonald describes Lifeson's play as a "searing, rapid-fire" guitar solo. [16]