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The banjo ukulele, also known as the banjolele or banjo uke, is a four-stringed musical instrument with a small banjo-type body and a fretted ukulele neck. The earliest known banjoleles were built by John A. Bolander [ 1 ] and by Alvin D. Keech, [ 2 ] both in 1917.
Ukulele varieties include hybrid instruments such as the guitalele (also called guitarlele), banjo ukulele (also called banjolele), harp ukulele, lap steel ukulele, and the ukelin. It is very common to find ukuleles mixed with other stringed instruments because of the number of strings and the easy playing ability.
The definitive history of the banjo, focusing on the instrument's development in the 1800s. Katonah Museum of Art (2003). The Birth of the Banjo. Katonah Museum of Art, Katonah, New York. ISBN 0-915171-64-3. Linn, Karen (1994). That Half-Barbaric Twang: The Banjo in American Popular Culture. University of Illinois Press. ISBN 0-252-06433-X ...
His preferred choice of instrument was the traditional wooden ukulele because of its sweet sound, rather than the more strident banjolele favoured by George Formby - though he played both. Billy used a special tuning when performing on live broadcasts and theatres.
Samuel Swaim Stewart (January 8, 1855—April 6, 1898), also known as S. S. Stewart, was a musician, composer, publisher, and manufacturer of banjos. [3] He owned the S. S. Stewart Banjo Company, which was one of the largest banjo manufacturers in the 1890s, manufacturing tens-of-thousands of banjos annually. [4]
Hall performed on a variety of stringed instruments, including the standard ukulele, the taropatch ukulele, banjo, and the hybrid banjolele, as well as the 10-string Martin-style tiple. Like so many of the other performers during the era, Hall was a big fan of the instruments created by the C.F. Martin & Company, particularly their Taropatch ...
John Grey & Sons (London) Limited, a subsidiary company of Barnett, Samuel & Sons, was established in Westminster in 1832. The company became well known for the manufacture of fine banjos, guitars and drums. [1]
Formed in 2005 and playing everywhere from the hippest LA clubs to festivals, cultural centers, museums, parades, and even on the street, the band includes two explosive violins, the world's best slap bass player, musical saw, flamenco and gypsy jazz guitar, trombone, opera, jazz and gypsy vocals, accordion and one little banjolele.