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Aria for soprano and orchestra: Metastasio Demofoonte, II, 6: 1770 88: 73c "Fra cento affanni e cento" (Score/Crit. report) Aria for soprano and orchestra: Metastasio, Artaserse I,2: 1770 119: 382h "Der Liebe himmlisches Gefühl" (Score/Crit. report) Aria for soprano and orchestra (piano reduction) This is possibly (Kunze) the aria for Gretl ...
Operas with entries in The Metropolitan Opera Guide to Recorded Opera ed. Paul Gruber (Thames and Hudson, 1993). ISBN 0-393-03444-5 and/or Metropolitan Opera Stories of the Great Operas ed. John W Freeman (Norton, 1984). ISBN 0-393-01888-1; List of operas and their composers in Who's Who in British Opera ed. Nicky Adam (Scolar Press, 1993).
A concert aria is normally an aria or operatic scene (scena) composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work.
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (/ ˈ ɑːr i ə /, Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment ...
The following is a list of operas and operettas with entries in Wikipedia. The entries are sorted alphabetically by title, with the name of the composer and the year of the first performance also given. For a list of operas sorted by name of composer, see List of operas by composer.
Opera Composer Aria 100 The Bohemian Girl: Balfe "I Dreamt I Dwelt in Marble Halls" 99 Parsifal: Wagner Prelude 98 The Magic Flute: Mozart "Der Vogelfänger bin ich ja" (Birdcatcher's Aria) 97 The Abduction from the Seraglio: Mozart "O, wie will ich triumphieren" (Osmin's Aria) 96 Casanova: J. Strauss II/Benatzky "O Madonna, auf uns sieh" (Nuns ...
Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Habanera" and "Seguidilla" from act 1 and the "Toreador Song" from act 2 are among the best known of all operatic arias. The opera is written in the genre of opéra comique with musical numbers
Pages in category "Arias by Giacomo Puccini" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. C. Ch'ella mi creda;