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The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late 15th century. During this time, the government played a stronger role in shaping culture, requiring the use of Zhu Xi 's interpretation of Neo-Confucianism in civil service examinations ...
The culture of the People's Republic of China (PRC) is a rich and varied blend of traditional Chinese culture with communist and other international modern and post-modern influences. During the Cultural Revolution , an enormous number of cultural treasures of inestimable value were seriously damaged or destroyed, and the practice of many arts ...
The arts of China (simplified Chinese: 中国艺术; traditional Chinese: 中國藝術) have varied throughout its ancient history, divided into periods by the ruling dynasties of China and changing technology, but still containing a high degree of continuity. Different forms of art have been influenced by great philosophers, teachers ...
Reading Stele Nest Stone by Li Cheng (919–967). The northern landscape style (Chinese: 北宗画; pinyin: běi zōng huà) was a manner of Chinese landscape painting centered on a loose group of artists who worked and lived in Northern China during the Five Dynasties period that occupied the time between the collapse of the Tang dynasty and the rise of the Song.
The Cultural Revolution (1966-1976) had previously sought to purge bourgeois and traditional elements from Chinese society, creating a vacuum that postmodernism, in part, began to fill. [3] [5] [6] The post-Cultural Revolution era saw a resurgence of interest in traditional Chinese culture, as well as an openness to Western cultural influences ...
The Shanghai School is a very important Chinese school of traditional arts during the Qing dynasty and the 20th century. Under efforts of masters from this school, traditional Chinese art reached another climax and continued to the present in forms of Chinese painting (中國畫), or guohua (國畫) for short. The Shanghai School challenged and ...
The Four Gentlemen are a recurring theme in art because of their long history as symbols of traditional Chinese virtues, such as uprightness, purity, humility, and perseverance despite harsh conditions. Each of them represent a different season (the plum blossom for winter, the orchid for spring, the bamboo for summer, and the chrysanthemum for ...
The tradition's philosophical roots can be found in the conception of yangsheng that characterises sex as a small version of primal creative processes; therefore the art of chungongtu depicts less exaggeration of emotions than the Japanese shunga would, and it focuses more on showing foreplay rather than penetration, with an emphasis on emotional harmony.