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In his final work Finnegans Wake (1939), Joyce's method of stream of consciousness, literary allusions and free dream associations was pushed to the limit, abandoning all conventions of plot and character construction, and the book is written in a peculiar and obscure English, based mainly on complex multi-level puns.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works.
Imagination is the process of developing theories and ideas based on the functioning of the mind through a creative division. Drawing from actual perceptions, imagination employs intricate conditional processes that engage both semantic and episodic memory to generate new or refined ideas. [ 6 ]
In that manuscript, Stephen Daedalus defines epiphany as "a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase of the mind itself." [2] Stephen's epiphanies are moments of heightened poetic perception in the trivial aspects of everyday Dublin life, non-religious and non-mystical in nature ...
Magical realism, magic realism, or marvelous realism is a style or genre of fiction and art that presents a realistic view of the world while incorporating magical elements, often blurring the lines between speculation and reality. [1]
This article is focused on English-language literature rather than the literature of England, so that it includes writers from Scotland, Wales, and the whole of Ireland, as well as literature in English from former British colonies. It also includes, to some extent, the United States, though the main article for that is American literature.
“I’m done filling a cup with a hole in the bottom / I’m taking an axe to the tree / The rot at the roots is the root of the problem / But you wanna blame it on me,” Morris sings in “The ...
Interest in the relationship between Darwinism and the study of literature began in the nineteenth century, for example, among Italian literary critics. [2] For example, Ugo Angelo Canello argued that literature was the history of the human psyche, and as such, played a part in the struggle for natural selection, while Francesco de Sanctis argued that Emile Zola "brought the concepts of ...