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Story is a sequence of events, which can be true or fictitious, that appear in prose, verse or script, designed to amuse or inform an audience. [1] Story structure is a way to organize the story's elements into a recognizable sequence. It has been shown to influence how the brain organizes information. [2]
It is a literary element. The setting initiates the main backdrop and mood for a story. The setting can be referred to as story world [1] or milieu to include a context (especially society) beyond the immediate surroundings of the story. Elements of setting may include culture, historical period, geography, and hour.
The story itself is considered a performance so there is a synergy among the aforementioned elements. [1] In the story, the narrator may draw attention to the narrative or to himself as storyteller. [2] The structure often includes the following: Tell riddles to test the audience. Audience becomes a chorus and comments on the story.
Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.
The term plot can also serve as a verb, referring to either the writer's crafting of a plot (devising and ordering story events), or else to a character's planning of future actions in the story. The term plot , however, in common usage (for example, a "film plot") can mean a narrative summary or story synopsis , rather than a specific cause ...
The three-act structure is a model used in narrative fiction that divides a story into three parts , often called the Setup, the Confrontation, and the Resolution. It has been described in different ways by Aelius Donatus in the fourth century A.D. and by Syd Field in his 1979 book Screenplay: The Foundations of Screenwriting .
Themes are more abstract than other elements and are subjective: open to discussion by the audience who, by the story's end, can argue about which big ideas or messages were explored, what conclusions can be drawn, and which ones the work's creator intended. Thus, the audience may come to different conclusions about a work's themes than what ...
Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create a beautiful tapestry. [6] A scene top-heavy with action can feel unreal because it is likely that characters doing something—anything at all—would be talking during the activity. [7]