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Ghagra choli (also known as lehenga choli and chaniya choli) is a type of ethnic clothing for women from India, notably in the Indian states of Rajasthan, [1] [2] Gujarat, [3] Madhya Pradesh, Uttar Pradesh, Bihar, Haryana, Punjab, Himachal Pradesh, Uttarakhand, Jammu and Kashmir. In Punjab, the lehenga is traditionally worn with a kurti.
A langa voni (also called "pavadai daavani" in Tamil or "laṅga davaṇi" in Kannada) is a traditional dress worn in South India by girls between puberty and marriage. [1] [2] It is also known as the two-piece sari or half sari. [3]
The lehenga became a favorite attire for Mughal women of all ages and classes due to its royal appeal and convenience The lehenga is sometimes worn as the lower portion of a gagra choli or langa voni. Ghagra in Hindi (also ghagro in Konknni), was also used to refer to the half slip or petticoat, a skirt worn as an undergarment below the sari.
Woman in choli c. 1872. A choli (Hindi: चोली, Urdu: چولی, Gujarati: ચોળી, Marathi: चोळी, Nepali: चोलो cholo) (known in South India as ravike (Kannada: ರವಿಕೆ, Telugu: రవికె, Tamil: ரவிக்கை)) is a blouse or a bodice-like upper garment that is commonly cut short leaving the midriff bare, it is worn along with a sari in the ...
A sari (sometimes also saree [1] or sadi) [note 1] is a women's garment from the Indian subcontinent. [2] It consists of an un-stitched stretch of woven fabric arranged over the body as a robe, with one end attached to the waist, while the other end rests over one shoulder as a stole, [3] sometimes baring a part of the midriff.
Women wear black cotton saris with a red border known as hāku patāsi (हाकु पतासि) or hāku parsi (हाकु पर्सि). It is still widely used especially among farmer women as everyday wear and is the most popular dress during festive occasions.
Anamika Khanna (born in Jodhpur, 19 July 1971) is an Indian fashion designer who operates from her studio situated in Kolkata. [1] She has been covered by the Business of Fashion (BOF) for being the Indian designer who has blended traditional Indian textiles and techniques with Western silhouette and tailoring. [1]
Cultural appropriation is considered harmful by various groups and individuals, [16] including some indigenous people working for cultural preservation, [17] [18] those who advocate for collective intellectual property rights of the originating cultures, [19] [20] [21] and some of those who have lived or are living under colonial rule.
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