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For a recent account of the multi-faceted role of contemporary art in highlighting environmental issues, expressing criticism towards unsustainable factors in society, and offering imaginative solutions for the achievement of sustainability, see Maja and Reuben Fowkes's essay on 'Art and Sustainability' in Enough for All Forever (2012).
Robert Morris, Observatorium, Netherlands. The growth of environmental art as a "movement" began in the late 1960s and early 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices that were increasingly seen as outmoded and potentially out ...
Today, cultures use libraries, art exhibits and museums as a placeholder for these important objects and other culturally significant artifacts. [6] Not only are these objects revered, but the buildings themselves are oftentimes a symbol of cultural integrity to the community which it belongs.
World Ecology Day [174] November 1 World Vegan Day: November 1 World Basking Shark Day: November 3 International Day for Preventing the Exploitation of the Environment in War and Armed Conflict: November 6 National Bison Day: First Saturday in November America Recycles Day: November 15 World Fisheries Day [175] November 21 International Jaguar ...
January 22 - Aaron De Groft, 59, American art museum director (Orlando Museum of Art) (born 1965). [ 19 ] (death announced on this date) January 24 - Jaune Quick-to-See Smith , 85, American artist and curator (born 1940) [ 20 ]
The term "arts-based environmental education" (AEE) was first coined by Finnish art educator Meri-Helga Mantere in the 1990s. Mantere describes AEE as a form of learning that aims to develop environmental understanding and responsibility “by becoming more receptive to sense perceptions and observations and by using artistic methods to express personal environmental experiences and thoughts ...
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The notion of the singular art world is problematic, since Becker and others show art worlds are, instead, independent multiplicities scattered worldwide that are always in flux: there is no "center" to the art world any more. [3] The art world, along with the definition of fine art, is constantly changing as works of art previously excluded ...