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Large choirs (red background): Bach (choir dedicated to Bach's music, founded in the mid of the 20th century), Boys (choir of all male voices), Radio (choir of a broadcaster), Symphony (choir related to a symphony orchestra) Medium-size choirs, such as Chamber choir, Chorale (choir dedicated mostly to church music)
Exact dates (e.g. for most cantatas) usually indicate the assumed date of first (public) performance. When the date is followed by an abbreviation in brackets (e.g. JSB for Johann Sebastian Bach) it indicates the date of that person's involvement with the composition as composer, scribe or publisher. 4 Name
Large choirs (red background): Bach (choir dedicated to Bach's music, founded in the mid of the 20th century), Boys (choir of all male voices), Radio (choir of a broadcaster), Symphony (choir related to a symphony orchestra) Medium-size choirs, such as Chamber choir, Chorale (choir dedicated mostly to church music), Madrigal
For more Bach transcriptions by Busoni, see: List of adaptations by Ferruccio Busoni#Transcriptions (BV B 20 to 115) Bach-Busoni Editions; Charles Gounod's Ave Maria is based on Prelude No. 1 of Book I of The Well-Tempered Clavier. Francisco Tárrega transcribed a variety of Bach works, including his Fugue from Violin Sonata No. 1, BWV 1001
Songs and arias by Johann Sebastian Bach are compositions listed in Chapter 6 of the Bach-Werke-Verzeichnis (BWV 439–524), which also includes the Quodlibet. [1] Most of the songs and arias included in this list are set for voice and continuo. Most of them are also spiritual, i.e. hymn settings, although a few have a worldly theme.
W H24 \ Vauxhall Song: By my sighs you may discover W H25 \ Vauxhall Song: Cruel Strephon, will you leave me W H26 \ Vauxhall Song: Come Colin, pride of rural swains W H27 \ Vauxhall Song: Ah, why shou'd love with tyrant W H28 \ Vauxhall Song: In this shady blest retreat W H29 \ Vauxhall Song: Smiling Venus, Goddess dear
Template:Church cantatas by Johann Sebastian Bach; Template:Compositions for Organ, Keyboard and Lute by Johann Sebastian Bach; Template:Masses, Magnificat, Passions and Oratorios by Johann Sebastian Bach; Template:Bach motets; Template:Secular cantatas by Johann Sebastian Bach; Template:Short vocal works by Johann Sebastian Bach
Weichet nur, betrübte Schatten (Dissipate, you troublesome shadows), [1] BWV 202, [a] is a secular cantata by Johann Sebastian Bach. [2] [3] It was likely composed for a wedding, but scholars disagree on the dating which could be as early as Bach's tenure in Weimar, around 1714, while it has traditionally been connected to his wedding to Anna Magdalena on 3 December 1721 in Köthen.