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Instrumental rock is rock music that emphasizes musical instruments and features very little or no singing. An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. [1] [2] [3]
Scat singing is a type of voice instrumental music. A scat is vocalized using wordless vocables and syllables (e.g. "bippity-bippity-doo-wop-razzamatazz-skoobie-doobie-shoobity-bee-bop-a-lula-shabazz") as employed by jazz singers.
Random Thoughts & Interesting Things. EDITS (4A: Tweaks a crossword clue, say) I'm a fan of a self-referential clue. AUDRA (15A: McDonald set to play Mama Rose in fall 2024) Gypsy: A Musical Fable ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Some titles of Fats Domino recordings actually refer each to two or even three different songs. These recordings are labeled in the column "Version" by Roman numerals as Song I, Song II and Song III in chronological order of recording. Different versions; Some songs were recorded in different sessions.
The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Jerry Leiber/Artie Butler: Jagger "Down in the Bottom" 1995 2016 Totally Stripped: Willie Dixon Jagger "Down in the Hole" 1979 1980 Emotional Rescue: Jagger/Richards Jagger "Down the Road a Piece" 1964 1965 The Rolling Stones No. 2 (UK) The Rolling Stones, Now! (US) Don Raye: Jagger ...
Song Music by Lyrics by Year Notes A "Abide with Me" William Henry Monk: Henry Francis Lyte: 1953 [1] with Mitchell Ayres Orchestra & Ray Charles Singers [2] "Act of Contrition" Joseph J. Leahy Traditional 1953 [1] with Mitchell Ayres Orchestra & Ray Charles Singers [3] "Ac-Cent-Tchu-Ate the Positive" Harold Arlen: Johnny Mercer: 1958
Some composers have discussed the significance of silence or a silent composition without ever composing such a work. In his 1907 manifesto, Sketch of a New Esthetic of Music, Ferruccio Busoni described its significance: [1] That which, within our present-day music, most nearly approaches the essential of the art, is the Rest and the Hold (Pause).