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The theory of rasas still forms the aesthetic underpinning of all Indian classical dance and theatre, such as Bharatanatyam, kathak, Kuchipudi, Odissi, Manipuri, Kudiyattam, Kathakali and others. Expressing rasa in classical Indian dance form is referred to as rasa-abhinaya .
The Warli tribe is one of the largest in India, located outside Mumbai. Till the 1970s, even though the tribal style of art is thought to date back as early as 10th century C.E. [ 1 ] The Warli culture is centered on the concept of Mother Nature and elements of nature are often focal points depicted in Warli painting.
In India, caves have long been regarded as sacred places. Caves that were enlarged or entirely man-made were believed to be as sacred as natural caves. The sanctuary in all Indian religious structures, even free-standing ones, was designed to have the same cave-like feeling, as it is generally small and dark, without natural light. [5]
The period of the imperial Cholas (c. 850 CE – 1250 CE) in South India was an age of continuous improvement and refinement of Chola art and architecture.They utilised the wealth earned through their extensive conquests in building long-lasting stone temples and exquisite bronze sculptures, in an almost exclusively Dravidian cultural setting.
But from a mass production perspective, keeping the background simple was an economic choice that kalighat painters made often. [20] Simple backgrounds existed prior to colonial rule, and can be spotted in the Bhagavata manuscripts of the seventeenth-century, the eighteenth century Ramacharitmanas scripts, scroll paintings, and Rajput art. [21]
Ancient Indian architecture ranges from the Indian Bronze Age to around 800 CE. By this endpoint Buddhism in India had greatly declined, and Hinduism was predominant, and religious and secular building styles had taken on forms, with great regional variation, which they largely retain even after some forceful changes brought about by the arrival of first Islam, and then Europeans.
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