Search results
Results from the WOW.Com Content Network
"Most Likely You Go Your Way and I'll Go Mine", or "Most Likely You Go Your Way (and I'll Go Mine)", [a] is a song by the American singer-songwriter Bob Dylan. It was released as the first track on side three of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. Dylan recounted that he ...
The album Another Side of Bob Dylan (1964) saw Bob Dylan start to move away from the contemporary folk music sound that had characterized his early albums. Bringing It All Back Home (1965) featured both electric and acoustic tracks, and Highway 61 Revisited later that year was purely electric. [2]
Dylan and his new record label Asylum had planned professional recordings before the tour began, ten separate sessions in total: three in New York at Madison Square Garden on January 30 and 31; two in Seattle, at the Seattle Center Coliseum on February 9; two in Oakland, California, at the Alameda County Coliseum on February 11; and three in Los Angeles on February 13 and 14. [4]
Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, [4] by Columbia Records.Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks.
Robbie Robertson (pictured in 1971) found the Nashville musicians "clique-ish" but felt his performance on "Obviously 5 Believers" was "the track I did that got everyone to accept me". [4]
As with most of the album's songs, "Pledging My Time" was conceived, composed, and recorded within the span of a few weeks. The song was first released, in shortened form, two weeks after its recording, as the B-side of the single " Rainy Day Women #12 & 35 ", a Top 10 hit in both the United States and Great Britain.
"Rita May" (sometimes spelled as "Rita Mae") is a song by Bob Dylan, originally recorded during the sessions for the album Desire, but released only as the B-side of a ...
The group had scored a hit with another Dylan composition, "If You Gotta Go, Go Now" the previous year, and Talmy suggested that they record another Dylan song. [64] Additionally, Manfred Mann's previous manager Kenneth Pitt was Dylan's British publicist, giving them access to demos and otherwise unavailable material. [66]