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The C&O desk, constructed around 1920, is a walnut reproduction of an eighteenth-century Chippendale double pedestal desk, also known as a partners desk. [1] The desk features an inverted breakfront form and each of the two pedestals is veneered with burlwood and contains three graduated drawers on each of the two faces.
The furniture associated with the Goddard and Townsend families is identified by a number of unique features. The so-called Block-and-shell motif, a block-front topped by a carved shell in alternating concave and convex pattern, is one of the key features.
However, the armoire desk is even larger than the Wooton, and despite the use of rich veneers by some makers, is a much more practical piece of furniture. The Wooton secretary desk rests on a four-legged quadruped support equipped with casters. The main body of the desk is filled with dozens of small drawers and nooks for papers and small objects.
Wooden secretary desk, American, 1836–50. A secretary desk or escritoire is made of a base of wide drawers topped by a desk with a hinged desktop surface, which is in turn topped by a bookcase usually closed with a pair of doors, often made of glass. The whole is usually a single, tall and heavy piece of furniture.
A richly decorated Carlton House desk. The desk resembles a normal writing table, but small drawers above the surface form a "U" shape around the user, instead of merely facing the user as in a typical bureau à gradin. Unlike other types of bureau à gradin, the Carlton House desk usually offers no pigeonholes.
For a quarter of a century, the furniture designs of the rocaille style was dominant, particularly under the influence of Juste-Aurèle Meissonier (1695-1750), the Italian-born architect who became royal architect and designer of Louis XV, and the ornament designer Nicolas Pineau (1684-1754). Under their influence, straight lines disappeared ...
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