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Orson Welles at work on The Magnificent Ambersons (1942). Orson Welles (1915–1985) was an American director, actor, writer, and producer who is best remembered for his innovative work in radio, theatre and film.
Harry Saltzman's widow Adriana Saltzman, [55] the families of producers Emiliano Piedra and Angel Escolano and the estate of Orson Welles—maintained by Beatrice Welles— among others have all claimed ownership of the film. [99] For many years the only available source was a region-free DVD from Brazil.
George Orson Welles (May 6, 1915 – October 10, 1985) was an American director, actor, writer, and producer who is remembered for his innovative work in film, radio, and theatre.
Macbeth is a 1948 American historical drama directed by Orson Welles.A film adaptation of William Shakespeare's tragedy of the same name, it tells the story of the Scottish general who becomes the King of Scotland through treachery and murder.
Necromancy (stylized as NEC'RO•MAN'CY) is a 1972 American supernatural horror film directed by Bert I. Gordon and starring Orson Welles, Pamela Franklin, Michael Ontkean, and Lee Purcell. The plot follows an enigmatic cult leader in a small California town who attempts to harness the powers of a local woman to resurrect his dead son.
The film stars Dean Stockwell and Bradford Dillman as the perpetrators (called ‘Judd Steiner’ and ‘Artie Straus’ in the film), and Orson Welles as their defense attorney (based on Clarence Darrow). Diane Varsi, E. G. Marshall, and Martin Milner play supporting roles. The film was released by 20th Century-Fox on April 1, 1959. It ...
The film was boycotted in Aiken, South Carolina, because Orson Welles mistakenly identified the town as the location of Isaac Woodard's blinding. In July and August 1946, Welles devoted five episodes of his radio show Orson Welles Commentaries to the brutal attack on Woodard.
House of Cards is a 1968 American neo-noir crime film directed by John Guillermin and starring George Peppard, Inger Stevens, and Orson Welles.Filmed in France and Italy, it marked the third time that Peppard and Guillermin worked together (they had previously collaborated on the 1966 film The Blue Max, then P.J.).
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