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The first four bars of "Let's Call the Whole Thing Off" "Let's Call the Whole Thing Off" is a song written by George Gershwin and Ira Gershwin for the 1937 film Shall We Dance, where it was introduced by Fred Astaire and Ginger Rogers as part of a celebrated dance duet on roller skates. [5] The sheet music has the tempo marking of "Brightly ...
"Let's Call the Whole Thing Off" (1937) " They All Laughed " is a song composed by George Gershwin , with lyrics by Ira Gershwin , written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire .
"Let's Call the Whole Thing Off" (1937) " Slap That Bass " is a song composed by George Gershwin , with lyrics by Ira Gershwin , introduced by Fred Astaire and Dudley Dickerson in the 1937 film Shall We Dance .
Let's Call the Whole Thing Off; Let's Kiss and Make Up (Funny Face song) Let's Take a Walk Around the Block; Liza (All the Clouds'll Roll Away) Long Ago (and Far Away) Looking for a Boy; Lorelei (George Gershwin song) Love Is Here to Stay; Love Is Sweeping the Country; Love Walked In
"Let's Call the Whole Thing Off" (G. Gershwin, I. Gershwin) – Louis Armstrong and Ella Fitzgerald "Where or When" (Lorenz Hart, Richard Rodgers) – Ella Fitzgerald "Lady's Lunch" (Marc Shaiman) "The Tables Have Turned" (Laura Kenyon, Marc Shaiman, Scott Wittman) "But Not for Me" (G. Gershwin, I. Gershwin) – Harry Connick Jr.
Let's Call the Whole Thing Off: 1937: Ginger Rogers: George Gershwin: Ira Gershwin: Shall We Dance: Los Angeles, March 19, 1937, Brunswick 7857 Let's Face the Music and Dance: 1936: Irving Berlin: Irving Berlin: Follow the Fleet: Los Angeles, January 30, 1936, Brunswick 7608 Let's Kiss and Make Up: 1927: Adele Astaire: George Gershwin: Ira ...
"Let's Call the Whole Thing Off" – 2:20 "Summertime" (DuBose Heyward) – 2:58 "Nice Work If You Can Get It" – 2:07 "Shall We Dance?" – 2:18; All music composed by George Gershwin, with all lyrics by Ira Gershwin. Other lyricists indicated.
Consistent with the song title, the lyrics comprise a series of antonyms – such as yes–no, high–low and stop–go. [18] With the narrative perspective alternating between first and second person, the composition also recalls George and Ira Gershwin's "Let's Call the Whole Thing Off". [14] [4]