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A transition or linking word is a word or phrase that shows the relationship between paragraphs or sections of a text or speech. [1] Transitions provide greater cohesion by making it more explicit or signaling how ideas relate to one another. [1] Transitions are, in fact, "bridges" that "carry a reader from section to section". [1]
In film, a match cut is a cut from one shot to another in which the composition of the two shots are matched by the action or subject and subject matter. For example, in a duel a shot can go from a long shot on both contestants via a cut to a medium closeup shot of one of the duellists. The cut matches the two shots and is consistent with the ...
Morphology is the study of patterns of word-formation within a language. It attempts to formulate rules that model the knowledge of speakers. In the context of historical linguistics, formal means of expression change over time. Words as units in the lexicon are the subject matter of lexicology.
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A ripple dissolve is a type of transition characterized by a wavering image that is usually employed to indicate a change to flashback material, commonly a character's memory of an event. Sometimes the ripple dissolve is used as a transition to an imagined event or action. A series of three ripple dissolves appeared in Mamma mia!
Tmesis – separating the parts of a compound word by a different word (or words) to create emphasis or other similar effects. Topos – a line or specific type of argument. Toulmin model – a method of diagramming arguments created by Stephen Toulmin that identifies such components as backing, claim, data, qualifier, rebuttal, and warrant.
Some research indicates that climate change art is not particularly effective in changing peoples views, though art with a "hopeful" message gives people ideas for change. [13] Projecting a positive message, climate scientist Ed Hawkins said that "infiltrating popular culture is a means of triggering a change of attitude that will lead to mass ...
An editorial transition between two shots in which the illusion of temporal continuity is radically disrupted. Key light The main light on a subject, usually placed at a 45 degree angle to the camera-subject axis. In high-key lighting, the key light provides all or most of the light in the scene.