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This work, not having a strictly scientific nature as other better-known works, has been reputed among Bacon's literary works. However, two of the chapters, "Cupid; or the Atom", and "Proteus; or Matter" may be considered part of Bacon's scientific philosophy. Bacon describes in "Cupid" his vision of the nature of the atom and of matter itself.
The link between Bacon's work and the Rosicrucians' ideals which Yates allegedly found was the conformity of the purposes expressed by the Rosicrucian Manifestos and Bacon's plan of a "Great Instauration", [124] for the two were calling for a reformation of both "divine and human understanding", [f] [125] as well as both, had in view the ...
Francis Bacon (28 October 1909 – 28 April 1992) was an Irish-born British figurative painter known for his raw, unsettling imagery. Focusing on the human form, his subjects included crucifixions, portraits of popes, self-portraits, and portraits of close friends, with abstracted figures sometimes isolated in geometrical structures.
Ellis took on the editing of Francis Bacon's works with two other Trinity fellows, Douglas Denon Heath and James Spedding. Dramatic deterioration of Ellis's health from 1847 left his work on the general prefaces to Bacon's philosophy unfinished. Spedding and Heath completed the Works in seven volumes, published 1857–1859.
Portrait of Francis Bacon, Viscount St Alban, by John Vanderbank, circa 1731, after a portrait by an unknown artist (circa 1618). This is a complete chronological bibliography of Francis Bacon . Many of Bacon's writings were only published after his death in 1626.
Essayes: Religious Meditations. Places of Perswasion and Disswasion. Seene and Allowed (1597) was the first published book by the philosopher, statesman and jurist Francis Bacon. The Essays are written in a wide range of styles, from the plain and unadorned to the epigrammatic. They cover topics drawn from both public and private life, and in ...
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Three Figures in a Room is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures 198 × 147 centimetres (78 × 58 in) and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings.