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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Rococo, employed in ecclesiastical decoration, was part of the secularization movement that the Catholic Church had been experiencing since the Baroque, removing various obstacles between the sacred and the profane, and served as a new and more engaging way to celebrate the mysteries of faith, but its ornamentalism was also seen by some as a ...
Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. [1]
Rococo art was even more elaborate than the Baroque, but it was less serious and more playful. [38] Whilst the Baroque used rich, strong colours, Rococo used pale, creamier shades. The artistic movement no longer placed an emphasis on politics and religion, focusing instead on lighter themes such as romance, celebration, and appreciation of ...
One last difference between Baroque and Rococo is the interest that 18th century aristocrats had for East Asia. Chinoiserie was a style in fine art, architecture and design, popular during the 18th century, that was heavily inspired by Chinese art, but also by Rococo at the same time. Because traveling to China or other Far Eastern countries ...
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
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