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Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
Rococo architecture, prevalent during the reign of Louis XV in France from 1715 to 1774, is an exceptionally ornamental and exuberant architectural style characterized by the use of rocaille motifs such as shells, curves, mascarons, arabesques, and other classical elements.
The Baroque style of architecture was a result of doctrines adopted by the Catholic Church at the Council of Trent in 1545–1563, in response to the Protestant Reformation. The first phase of the Counter-Reformation had imposed a severe, academic style on religious architecture, which had appealed to intellectuals but not the mass of ...
Elizabethan Baroque (Russian: Елизаветинское барокко, romanized: Yelizavetinskoye barokko or Elizavetinskoe barokko) is a term for the Russian Baroque architectural style, developed during the reign of Elizabeth of Russia between 1741 and 1762. It is also called style Rocaille or Rococo style. [1]
Italian Rococo was mainly inspired by the rocaille or French Rococo, since France was the founding nation of that particular style. The styles of the Italian Rococo were very similar to those of France. The style in Italy was usually lighter and more feminine than Italian Baroque art, and became the more popular art form of the settecento.
The preoccupation of the illustrated but unoccupied elites with happiness and pleasure, accompanied by a decline in the influence of religion, which draw the rococo atmosphere, might, at first impression, problematize the application of the style to religious art, which catered rather to the needs of the lower classes and whose devotion had ...
Rococo, also referred to as Late Baroque, originated in Paris, France in the 1730s as a continuation of the Baroque style. It is a highly dramatic and ornamental style of art and architecture characterized by its lavish curves and counter-curves, white and pastel colors, asymmetry, and elements that represent nature.
Six decades later, the architect Jaime Bort y Meliá was the first to introduce Rococo to Spain (Cathedral of Murcia, west façade, 1733). The greatest practitioner of the Spanish Rococo style was a native master, Ventura Rodríguez, responsible for the dazzling interior of the Basilica of Our Lady of the Pillar in Zaragoza (1750).