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Home altars often contain a cross or crucifix, an image of Jesus Christ, a copy of the Bible (especially a Family Bible), a breviary and/or other prayer book, a daily devotional, and prayer beads, among other religious articles specific to the individual's Christian denomination, for example, the images of the saints for Catholics, the Small ...
For the celebration of Mass, the altar should be covered by at least one white altar cloth: "Out of reverence for the celebration of the memorial of the Lord and for the banquet in which the Body and Blood of the Lord are offered, there should be, on an altar where this is celebrated, there should be at least one white cloth, its shape, size ...
The open, three winged polyptych altar image shows scenes from the Passion of Christ to his Ascension in continuous sequence from left to right. At the assumed time of composition, this type of depiction was already well-established. On the left wing of the altar, Jesus is crowned with the Crown of thorns and confronts Pontius Pilate.
In the course of the Baroque re-design in 1705, it was "altered in a tasteless way", namely dismantled into parts to be re-installed in the church outside the altar area. The altar survived the city fire in 1719 undamaged. After the bombing of Schneeberg on April 19, 1945, the altarpiece was rescued from the already burning church by many ...
A reredos (/ ˈ r ɪər ˌ d ɒ s, ˈ r ɪər ɪ-, ˈ r ɛ r ɪ-/ REER-dos, REER-ih-, RERR-ih-) is a large altarpiece, a screen, or decoration placed behind the altar in a church. It often includes religious images. The term reredos may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved ...
Altar at the traditional site of Golgotha The altar at the traditional site of Golgotha Chapel of Mount Calvary, painted by Luigi Mayer. The English names Calvary and Golgotha derive from the Vulgate Latin Calvariae, Calvariae locus and locum (all meaning "place of the Skull" or "a Skull"), and Golgotha used by Jerome in his translations of Matthew 27:33, [2] Mark 15:22, [3] Luke 23:33, [4 ...
Taken together, these readings explain the striking front and center position of a large crucifix normally fixed above or behind a Catholic altar. Western crucifixes usually have a three-dimensional corpus, but in Eastern Orthodoxy Jesus' body is normally painted on the cross, or in low relief. Strictly speaking, to be a crucifix, the cross ...
The triptych altarpiece was installed at the high altar of the Wittenberg City Parish Church of St. Mary's in 1547, one year after Luther's death, and it is believed to be consecrated by Johannes Bugenhagen, who was the pastor at St. Mary's church in Wittenberg and a good friend of Martin Luther. [2]