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Jeremy Shu-How Lin (born August 23, 1988) is a Taiwanese-American [1] [2] professional basketball player for the New Taipei Kings of the Taiwan Professional Basketball League (TPBL). He unexpectedly led a winning turnaround with the New York Knicks of the National Basketball Association (NBA) during the 2011–12 season, sparking a cultural ...
Jeremy Atherton Lin is an American essayist known for writing about gay culture [1] [2] [3] and alienation. [ 4 ] [ 5 ] He is the author of the cultural memoirs Gay Bar [ 6 ] [ 7 ] and Deep House . [ 8 ] [ 9 ]
Linsanity is a 2013 American documentary film about the rise of Asian-American basketball player Jeremy Lin.The film was directed by Evan Jackson Leong.. The film traces Lin's life from his childhood in Palo Alto, California to his rise to prominence in 2012 with the New York Knicks in the National Basketball Association (NBA). [2]
Wong often writes about the perception of Asians in popular culture. For that, she has appeared on Totally Biased with W. Kamau Bell on FX to discuss an article she wrote for XoJane entitled "9 Wack Things White Guys Say to Deny Their Asian Fetish" [38] and her obsession with professional NBA player Jeremy Lin. [39]
A new documentary on Jeremy Lin's "Linsanity" performances with the New York Knicks, "38 at the Garden," premieres Oct. 11 on HBO. Lin reflected on that time of his life with TODAY.
Jeremy Porter Linn (born January 6, 1975) is an American former competition swimmer, Olympic medalist, world record-holder and current swim coach. Linn set an American record in the 100-meter breaststroke while winning the silver medal in that event at the 1996 Summer Olympics in Atlanta, in a time of 1:00.77.
For his NBA career, which began in Golden State, Jeremy Lin has averaged 11.9 points and 4.3 assists from 2010-19 as an NBA player. His breakout came in his second season, as a New York Knick.
Gay Bar: Why We Went Out is a 2021 creative nonfiction book by essayist Jeremy Atherton Lin published by Little, Brown in North America and Granta in the United Kingdom. It is a response to LGBT venue closures [1] [2] [3] written in the idiom of cultural memoir.