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A Marriage Proposal (sometimes translated as simply The Proposal, Russian: Предложение, romanized: Predlozheniye) is a one-act farce by Anton Chekhov, written in 1888–1889 and first performed in 1890. It is a fast-paced play of dialogue-based action and situational humour.
In 1887, exhausted from overwork and ill health, Chekhov took a trip to Ukraine, which reawakened him to the beauty and vastness of the steppe. [2] On his return, he began the novella-length short story, which he called "something rather odd and much too original", and which was eventually published in Severny Vestnik (The Northern Herald).
"Betrothed" (Russian: Невеста, romanized: Nevesta), translated also as "The Fiancée", is a 1903 short story by Anton Chekhov, first published in the No.12, December 1903 issue of Zhurnal Dlya Vsekh. Chekhov's last completed story, "Betrothed" features as its heroine Nadya, a young woman who escapes from a loveless betrothal and attends ...
Anton Chekhov was a Russian playwright and short-story writer who is considered to be among the greatest writers of short fiction in history. He wrote hundreds of short stories, one novel, and seven full-length plays.
"The Proposal and the Bear" is a 1968 Australian television play, based on two stories by Anton Chekhov, The Marriage Proposal and The Bear. They were filmed in the ABC's Melbourne studios using the same cast for two plays.
"About Love" (Russian: О любви, romanized: O lyubvi) is an 1898 short story by Anton Pavlovich Chekhov. The third and final part of the Little Trilogy, started by "The Man in the Case" and continued by "Gooseberries".
The story was published in the No. 9, September 1898 issue of the Monthly Literary Supplements to Niva magazine. In a slightly revised version, Chekhov included it into Volume 9 of the 1899–1901, first edition the Collected Works by A.P. Chekhov, published by Adolf Marks .
The story was first published in the 18 (5 o.s.) October 1885, No. 273 issue of Peterburgskaya Gazeta originally under the title "Muckrake" (Кляузник), and signed A. Chekhonte (А. Чехонте). Under the new title it was included by Chekhov into Volume 2 of his Collected Works published in 1899–1901 by Adolf Marks. [1]
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