Search results
Results from the WOW.Com Content Network
"Soulshine" is a song written by American musician Warren Haynes and originally recorded by Larry McCray on his 1993 album, Delta Hurricane. It is best known as a recording that The Allman Brothers Band released on their 1994 album, Where It All Begins, featuring Gregg Allman on vocals. The song's title originates from Haynes's nickname, given ...
Give the Brothers any obvious three-chord sequence, and they soar, spinning solos and building percussive thunder." [ 5 ] Bruce Eder of AllMusic gave it 3 stars out of 5, noting "After a year of personal and personnel problems, the Allman Brothers Band got back together to record the surprisingly consistent live-in-the-studio venture Where It ...
"No One to Run With" is a song written by Dickey Betts and John Prestia and performed by The Allman Brothers Band. It was originally written around 1982, [1] and then recorded as a demo by the group Betts, Hall, Leavell and Trucks around 1983. [2]
Michael Franti (born April 21, 1966) is an American singer, songwriter, musician, poet, activist, documentarian, and rapper. Known for his participation in many musical projects, most with a political and social emphasis, including the Beatnigs and the Disposable Heroes of Hiphoprisy.
Forrest Richard Betts (December 12, 1943 – April 18, 2024) was an American guitarist, singer, and songwriter. He was best known as a longtime member of the Allman Brothers Band.
"Revival", sometimes listed as "Revival (Love Is Everywhere)", is a song by the American rock band the Allman Brothers Band. It was the lead single from their second studio album, Idlewild South (1970), released on Capricorn Records.
Gregg Allman was 21 years old when the song was first recorded. Its writing dates back to late March 1969, when The Allman Brothers Band was first formed. [11] Gregg had failed to make a name for himself as a musician during a late-1960s stint in Los Angeles, [12] and was on the verge of quitting music altogether when his brother Duane Allman called and said his new band needed a vocalist.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...