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This is a list of the fundamental frequencies in hertz (cycles per second) of the keys of a modern 88-key standard or 108-key extended piano in twelve-tone equal temperament, with the 49th key, the fifth A (called A 4), tuned to 440 Hz (referred to as A440). [1] [2] Every octave is made of twelve steps called semitones.
MIDI Tuning Standard (MTS) is a specification of precise musical pitch agreed to by the MIDI Manufacturers Association in the MIDI protocol. MTS allows for both a bulk tuning dump message, giving a tuning for each of 128 notes, and a tuning message for individual notes as they are played.
120 bpm, common tempo in music ~7.83 Hz: Fundamental frequency of the Schumann resonances: 10 1: 10 hertz 10 Hz: Cyclic rate of a typical automobile engine at idle (equivalent to 600 rpm) 12 Hz: Acoustic – the lowest possible frequency that a human can hear [3] 18 Hz: Average house cat's purr 24 Hz: Common frame rate of movies 27.5 Hz
The SI unit of frequency is the hertz (Hz). It is the property of sound that most determines pitch. [1] The generally accepted standard hearing range for humans is 20 to 20,000 Hz. [2] [3] [4] In air at atmospheric pressure, these represent sound waves with wavelengths of 17 metres (56 ft) to 1.7 centimetres (0.67 in).
In music, an interval ratio is a ratio of the frequencies of the pitches in a musical interval. For example, a just perfect fifth (for example C to G) is 3:2 ( Play ⓘ ), 1.5, and may be approximated by an equal tempered perfect fifth ( Play ⓘ ) which is 2 7/12 (about 1.498).
2 · P 8 + M 3 3 000 Hz: 386.3 ¢ Play ⓘ 6 th: perfect fifth: 2 · P 8 + P 5 3 600 Hz: 702.0 ¢ Play ⓘ 7 th: harmonic seventh, septimal minor seventh (‘the lost chord’) 2 · P 8 + m 7 ↓: 4 200 Hz: 968.8 ¢ Play ⓘ 8 th: third perfect octave: 3 · P 8 4 800 Hz: 0.0 ¢ Play ⓘ 9 th: Pythagorean major second harmonic ninth 3 · P 8 + M ...
In 1976, Makhoul and Cosell published the now-popular version with the 700 Hz corner frequency. [11] As Ganchev et al. have observed, "The formulae [with 700], when compared to [Fant's with 1000], provide a closer approximation of the Mel scale for frequencies below 1000 Hz, at the price of higher inaccuracy for frequencies higher than 1000 Hz."
This objective structure is augmented by psychoacoustic phenomena. For example, a perfect fifth, say 200 and 300 Hz (cycles per second), causes a listener to perceive a combination tone of 100 Hz (the difference between 300 Hz and 200 Hz); that is, an octave below the lower (actual sounding) note. This 100 Hz first-order combination tone then ...