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He is a former and founding member of the roots rock band the Blasters. Alvin has recorded and performed as a solo artist since the late 1980s and has been involved in various side projects and collaborations. He has had brief stints as a member of the bands X and the Knitters. He often refers to himself as "Blackjack Dave," in reference to his ...
Along with these, examples of Dave's return include the need that arose from the death of Hollywood Fats, as well as Phil's knee ailment in December 2011. [19] In 2005, the band released its first studio CD in 20 years, 4-11-44. On July 3, 2012, the Blasters put out their most recent studio album to date, Fun On Saturday Night.
The Blasters was critically well received. Reviewing the album in 1982 for The Village Voice, Robert Christgau said that Phil Alvin has "easily the most expressive vocal style in all of nouveau rockabilly", while "Dave Alvin's originals introduce a major songwriter, one with John Fogerty's bead on the wound-tight good times of America's tough white underbelly, though his focus is shallower ...
In 1997, Testament returned with Demonic, which featured a lineup of vocalist Chuck Billy and guitarist Eric Peterson, alongside original guitarist Derrick Ramirez on bass and Gene Hoglan on drums. [2] [11] For the album's touring cycle, the band was rejoined by guitarist Glen Alvelais and drummer Jon Dette. [12]
Alvin grew up in Downey, California in a music-loving family where he and his younger brother Dave Alvin were exposed to blues, rockabilly, and country.Inspired and influenced by the music they grew up with, Phil and Dave formed the rock and roll band The Blasters in the late 1970s with fellow Downey residents Bill Bateman and John Bazz. [2]
The album was produced by the Blasters; the band intended for it to be a concept album about "lost dreams," and a refutation of their revivalist music party image. [7] [8] "Long White Cadillac" is dedicated to Hank Williams. [9] "Tag Along" is a cover of the Rocket Morgan song. [10]
(1997), Los Angeles music journalist Chris Morris described the Blasters c. 1980 and the "brute energy" that the band generated, including "the indefatigable drummer Bill 'Buster' Bateman." [5] Dave Alvin echoed Morris in another history of the L.A. punk scene, Under the Big Black Sun. He noted how "Bill Bateman pounding his drums as if he were ...
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