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In both lossy and lossless compression, information redundancy is reduced, using methods such as coding, quantization, DCT and linear prediction to reduce the amount of information used to represent the uncompressed data. Lossy audio compression algorithms provide higher compression and are used in numerous audio applications including Vorbis ...
An important caveat about lossy compression (formally transcoding), is that editing lossily compressed files causes digital generation loss from the re-encoding. This can be avoided by only producing lossy files from (lossless) originals and only editing (copies of) original files, such as images in raw image format instead of JPEG. If data ...
Rate–distortion theory is a major branch of information theory which provides the theoretical foundations for lossy data compression; it addresses the problem of determining the minimal number of bits per symbol, as measured by the rate R, that should be communicated over a channel, so that the source (input signal) can be approximately reconstructed at the receiver (output signal) without ...
In 1973, David Slepian and Jack Keil Wolf proposed the information theoretical lossless compression bound on distributed compression of two correlated i.i.d. sources X and Y. [3] After that, this bound was extended to cases with more than two sources by Thomas M. Cover in 1975, [4] while the theoretical results in the lossy compression case are presented by Aaron D. Wyner and Jacob Ziv in 1976.
Image compression may be lossy or lossless. Lossless compression is preferred for archival purposes and often for medical imaging, technical drawings, clip art, or comics. Lossy compression methods, especially when used at low bit rates, introduce compression artifacts. Lossy methods are especially suitable for natural images such as ...
It is also often used as a component within lossy data compression technologies (e.g. lossless mid/side joint stereo preprocessing by MP3 encoders and other lossy audio encoders). [2] Lossless compression is used in cases where it is important that the original and the decompressed data be identical, or where deviations from the original data ...
Transform coding is a type of data compression for "natural" data like audio signals or photographic images.The transformation is typically lossless (perfectly reversible) on its own but is used to enable better (more targeted) quantization, which then results in a lower quality copy of the original input (lossy compression).
LZ77 and LZ78 are the two lossless data compression algorithms published in papers by Abraham Lempel and Jacob Ziv in 1977 [1] and 1978. [2] They are also known as Lempel-Ziv 1 (LZ1) and Lempel-Ziv 2 (LZ2) respectively. [3] These two algorithms form the basis for many variations including LZW, LZSS, LZMA and others.