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The characteristics of such poems include (but are not limited to) a strong narrative, regular poetic meter, simple content and simple form. At the same time, many poems that read well aloud have none of the characteristics exhibited by T. S. Eliot's "Journey of the Magi", for example. Poems that read aloud well include: "The Frog", by Jean Dao
Supernatural Religion: An Inquiry into the Reality of Divine Revelation by Walter Richard Cassels, originally published anonymously. Tales of the Dead, translated by Sarah Elizabeth Utterson, published anonymously. Tamerlane and Other Poems, the first published collection of poems by Edgar Allan Poe, originally published anonymously. The Log ...
"Tom o' Bedlam" is the title of an anonymous poem in the "mad song" genre, written in the voice of a homeless "Bedlamite". The poem was probably composed at the beginning of the 17th century. In How to Read and Why Harold Bloom called it "the greatest anonymous lyric in the [English] language." [1]
Here, Adler sets forth his method for reading a non-fiction book in order to gain understanding. He claims that three distinct approaches, or readings, must all be made in order to get the most possible out of a book, but that performing these three levels of readings does not necessarily mean reading the book three times, as the experienced reader will be able to do all three in the course of ...
A poetry reading is a public oral recitation or performance of poetry. Reading poetry aloud allows the reader to express their own experience through poetry, changing the poem according to their sensibilities. The reader uses pitch and stress, and pauses become apparent. A poetry reading typically takes place on a small stage in a café or ...
In literary criticism, close reading is the careful, sustained interpretation of a brief passage of a text. A close reading emphasizes the single and the particular over the general, via close attention to individual words, the syntax, the order in which the sentences unfold ideas, as well as formal structures. [1]
According to Warren's obituary in The New York Times: "Understanding Poetry and Understanding Fiction, which he wrote with Mr. Brooks, taught an entire generation how to read a work of literature and helped make the New Criticism dominant in the decade surrounding World War II. It was an approach to criticism that regarded the work at hand as ...
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.