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Hoefler Text, a typeface designed in 1991, uses text figures. The ascending six and descending nines are minted on this 1996 U.S. penny. Text figures (also known as non-lining, lowercase, old style, [1] ranging, hanging, medieval, billing, [2] or antique [3] figures or numerals) are numerals designed with varying heights in a fashion that resembles a typical line of running text, hence the name.
The typeface is notable for not having a traditional lowercase, but in its place a "multi-case" combining traditional lowercase and small capital characters. [2] Cassandre intended for Peignot to be used in publishing and stated that "[t]here is no technical reason in printing why we cannot return to the noble classical shapes of the alphabet ...
Small caps, petite caps and italic used for emphasis True small caps (top), compared with scaled small caps (bottom), generated by OpenOffice.org Writer. In typography, small caps (short for small capitals) are characters typeset with glyphs that resemble uppercase letters but reduced in height and weight close to the surrounding lowercase letters or text figures. [1]
A compositor would need to physically swap out the sorts for a different size to change the font size. During typesetting, individual sorts are picked from a type case with the right hand, and set from left to right into a composing stick held in the left hand, appearing to the typesetter as upside down. As seen in the photo of the composing ...
This numeral is often written as a plain vertical line without an ear at the top; this form is easily confused with a capital I, a lower-case L, and a vertical bar |. [2] The numeral 2: In the U.S., Germany and Austria, a curly version used to be taught and is still used by many in handwriting. This too can be confused with a capital script Q ...
The Unicode standard does not specify or create any font (), a collection of graphical shapes called glyphs, itself.Rather, it defines the abstract characters as a specific number (known as a code point) and also defines the required changes of shape depending on the context the glyph is used in (e.g., combining characters, precomposed characters and letter-diacritic combinations).
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