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The Eolian Harp is a poem written by Samuel Taylor Coleridge in 1795 and published in his 1796 poetry collection. It is one of the early conversation poems and discusses Coleridge's anticipation of a marriage with Sara Fricker along with the pleasure of conjugal love .
A poem Which Affects Not to be Poetry. [23] Reflections was included in Coleridge's 28 October 1797 collection of poems and the anthologies that followed. [22] The themes of Reflections are similar to those of The Eolian Harp. They are set in the same location, and both describe Coleridge's relationship with his wife and sexual desire. [24]
Reflections on Having Left a Place of Retirement is a poem written by English poet Samuel Taylor Coleridge in 1796. Like his earlier poem The Eolian Harp, it discusses Coleridge's understanding of nature and his married life, which was suffering from problems that developed after the previous poem.
It is such lyrics and conversation poems as "The Eolian Harp" and "Lines Written at Shurton Bars" that are seen as prefiguring the great works of Coleridge's maturity. [7] [36] [37] Lawrence Hanson, for example, wrote that these "are saved by their spontaneity and lightness from the confusion of overmuch thought. They contain hints of the ...
The Eolian Harp. "My pensive Sara! thy soft cheek reclined" 1795 1796 To the Author of Poems [Joseph Cottle] published anonymously at Bristol in September 1795 "Unboastful Bard! whose verse concise yet clear" 1795 1795, September The Silver Thimble.
Samuel Taylor Coleridge (/ ˈ k oʊ l ə r ɪ dʒ / KOH-lə-rij; [1]) (21 October 1772 – 25 July 1834) was an English poet, literary critic, philosopher, and theologian who was a founder of the Romantic Movement in England and a member of the Lake Poets with his friend William Wordsworth.
It is certainly plain compared to 'Religious Musings' and his other declamatory poems, and yet the tone is versatile, modulating from the conversational and the chatty into something unusually arresting." [5] In the 21st century, Adam Sisman declared that the poem "was a further development of the new style he had initiated in 'The Eolian Harp ...
The images of the poem operate in a circular pattern, and the poem begins and ends with the Stowey dell where Coleridge lived. The peaceful home at the beginning is a parallel to the "Valley of Seclusion" in Coleridge's Reflections on Having Left a Place of Retirement , which is a quiet place that allows for a pleasant life.