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There is a difference of readings with each re-reading. In Derrida's words, "there is nothing outside the [con]text" of a word's use and its place in the lexicon. Text, in Derrida's parlance, refers to context and includes all about the "real-life" situation of the speech/text (cf. speech act theory).
The book has gained notability as signalling Derrida's turn to questions surrounding the ontology of nonhuman animals, the ethics of animal slaughter and the difference between humans and other animals. Derrida's lecture has come to be a foundational text in Animal Studies within the fields of literary criticism and critical theory. [1]
Gayatri Chakravorty Spivak, in a 1977 article published in Diacritics, interprets the columns as the legs of a woman, and Derrida's marginal notes as a male member in the act of penetration: "As the father's phallus works in the mother's hymen, between two legs, so Glas works at origins, between two columns, between Hegel and Genet." [9]
One of the many difficulties of expressing Jacques Derrida's project (deconstruction) in simple terms is the enormous scale of it.Just to understand the context of Derrida's theory, one needs to be acquainted intimately with philosophers such as Socrates–Plato–Aristotle, René Descartes, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Charles Sanders Peirce, Jean-Jacques Rousseau, Karl Marx ...
In The Critical Difference (1980), Johnson argues that any model of difference as a polarized difference "between entities (prose and poetry, man and woman, literature and theory, guilt and innocence)" is necessarily founded upon "a repression of differences within entities" (pp. x-xi). In this book, Johnson explores how the unknown and the ...
Film critics generally gave Derrida positive reviews; the film has an 82% "fresh" rating on Rotten Tomatoes. [4] Kenneth Turan of the Los Angeles Times praised the film for its sophisticated style and said it was "the cinematic equivalent of a mind-expanding drug" [5] while Film Threat 's Tim Merrill described it as "a priceless historical record."
After a tortured and torturously long journey to the big screen, The Woman in the Window -- 20th Century's adaptation of A.J. Finn's best-selling thriller -- instead lands on Netflix, met with ...
Professor Kamuf has also been awarded The Essential Humanities (Andrew W. Mellon Foundation) grant as well as a National Endowment for the Humanities Grant for the translation of the seminars of Jacques Derrida, working in collaboration with Geoffrey Bennington, Pascale-Anne Brault, Michael Naas, Elizabeth Rottenberg, and David Wills.