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Sugar is an album by jazz tenor saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with trumpeter Freddie Hubbard, guitarist George Benson, bassist Ron Carter and drummer Billy Kaye.
The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl group the Dixie Cups , who scored an international hit with "Iko Iko".
Frank Isaac Robinson (born December 28, 1938), [2] known in his early musical career as Sugar Chile Robinson, is an American jazz pianist and singer. A Detroit native, Robinson became famous as a child prodigy in the mid-1940s.
Values in bold are exact on an idealized standard piano. Keys shaded gray are rare and only appear on extended pianos. The normal 88 keys were numbered 1–88, with the extra low keys numbered 89–97 and the extra high keys numbered 98–108. A 108-key piano that extends from C 0 to B 8 was first built in 2018 by Stuart & Sons. [4]
"Sugar Mama" or "Sugar Mama Blues" is a blues standard. [1] Called a "tautly powerful slow blues" by music journalist Charles Shaar Murray , [ 2 ] it has been recorded by numerous artists, including early Chicago bluesmen Tampa Red , Sonny Boy Williamson I , and Tommy McClennan .
Example of piano tone clusters. The clusters in the upper staff—C ♯ D ♯ F ♯ G ♯ —are four successive black keys. The last two bars, played with overlapping hands, are a denser cluster. A tone cluster is a musical chord comprising at least three adjacent tones in a scale.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
"Sugar Moon" is a Western swing love song written by Bob Wills and Cindy Walker. [ 1 ] The song was first recorded by Bob Wills and The Texas Playboys in 1947 (Columbia 37313), where it reached number one, staying on the charts six weeks.
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