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In a rare film review, filmmaker Erich von Stroheim criticized the film's story and non-linear structure, but praised the technical style and performances, and wrote "Whatever the truth may be about it, Citizen Kane is a great picture and will go down in screen history. More power to Welles!"
RKO’s advertising campaign lauded “Citizen Kane” as the creation of “a one-man band.” Meanwhile, the actual author of the masterpiece — the movie’s co-screenwriter, Herman J ...
During World War II, Citizen Kane was not seen in most European countries. It was shown in France for the first time on July 10, 1946, at the Marbeuf theater in Paris. [7]: 34–35 [a] Initially most French film critics were influenced by the negative reviews of Jean-Paul Sartre in 1945 and Georges Sadoul in 1946.
For all the piles of research and miles of column inches that have been devoted to it, the controversy over the creative authorship of “Citizen Kane” — a kerfuffle that’s now 50 years old ...
To date, Paddington 2 has a 99% rating with 251 positive reviews and two negative reviews. [9] The 100% rating could also be affected by rediscovering negative reviews, as in the case with Citizen Kane when an 80-year-old negative review from the Chicago Tribune affected its former 100% rating with 115 reviews. [10]
Backstory: Often cited as the greatest film ever made, “Citizen Kane” tells the story of Charles Foster Kane (played by Orson Welles, who co-wrote and directed), a wealthy newspaper publisher ...
Citizen Kane: A Filmmaker’s Journey describes Welles' rise to prominence, the creative control he received in his first Hollywood contract, studio infighting over the project at RKO Radio Pictures, the pressurized production schedule, the plot by the Hearst Corporation – critical of the similarity between real-life publisher William Randolph Hearst and the character of Charles Foster Kane ...
The "Top 100 Greatest Films of All Time" is a list published every ten years by Sight and Sound according to worldwide opinion polls they conduct. They published the critics' list, based on 1,639 participating critics, programmers, curators, archivists and academics, and the directors' list, based on 480 directors and filmmakers.
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